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Take a Peek: Artworks for Art Miami 2017



Cernuda Arte is delighted to announce its upcoming participation in Art Miami at BOOTH A-210

PLEASE NOTE THAT THIS YEAR ART MIAMI WILL TAKE PLACE AT ITS NEW LOCATION IN DOWNTOWN MIAMI ON BISCAYNE BAY:
ONE HERALD PLAZA @ NE 14th STREET, MIAMI, FL 33132


We are proud to be exhibiting at this prestigious event with over 125 leading international art galleries dedicated to showing excellent artworks of the 20th and 21st centuries.

For this special occasion, we have assembled an impressive presentation with over 80 works (paintings, drawings & sculptures) of Cuban and Latin American art.

During the fair, we will be distributing our stellar catalog,
Important Cuban Artworks, this year in its 15th edition.


SHOW DATES & HOURS
VIP Preview
Tuesday, December 5, 2017
6:00 pm – 9:00 pm

Regular Admission

Wednesday, Thursday, Friday & Saturday
December 6 – 9
11:00 am – 8:00 pm

Sunday, December 10
11:00 am – 6:00 pm

For more information, please contact:

Nercys Cernuda (305) 335-8350
Isabel M. Suárez (786) 495-6422
Eric González (305) 297-6831
Ramón Cernuda (305) 299-2950




 
  • Special Moments Photos

  • Wifredo Lam <br> 
Transformation </br>
(<i>Transformación</i>), 1945<br>
oil on canvas</br>
61 x 49 ¼ inches<br></br>

Signed and dated “Wifredo Lam, 1945 ” on the lower right corner.<br></br>
<i>Provenance:</i><br>
Pierre Matisse Gallery, New York.
Acquavella Modern Art, New York.
Galerie Lelong, Paris.
<br>
M. W. Knyper collection, Aspen, sale, Sotheby’s, New York, May 27, 2010,
lot #17 (illustrated in color in the sale catalog).
</br>
Exhibited in Lam, Recent Paintings, 1945, and Wifredo Lam, Early Works, 1942–1951, 1982,
Pierre Matisse Gallery, New York. <br> Illustrated as no. 11 in the exhibition catalog.
<br>
Exhibited in Wifredo Lam, Obras desde 1938 hasta 1975, de regreso al Caribe, 1992,
Arsenal de la Puntilla, San Juan.
<br>
Also exhibited in Wifredo Lam and His Contemporaries 1938–1952, 1992,
The Studio Museum in Harlem, New York. 
</br><br>
<i>Illustrations:</i><br>
Illustrated as no. 98 in the exhibition catalog, page 122.
</br>
Illustrated in Lam, by M. Leiris, Fratelli Fabbri, Milan, 1970, no. 52.
<br>
Illustrated in Wifredo Lam, by Max-Pol Fouchet, Polígrafa/Cercle d’Art, Barcelona/Paris,
1976 ed, page 233, no. 378.
</br>
Also illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume 1, 1923–1960, Project Director: Eskil Lam,<br> Acatos, 1996, page 368, no. 45.03.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 28.
    Wifredo Lam
    Transformation
    (Transformación), 1945
    oil on canvas
    61 x 49 ¼ inches

    Signed and dated “Wifredo Lam, 1945 ” on the lower right corner.

    Provenance:
    Pierre Matisse Gallery, New York. Acquavella Modern Art, New York. Galerie Lelong, Paris.
    M. W. Knyper collection, Aspen, sale, Sotheby’s, New York, May 27, 2010, lot #17 (illustrated in color in the sale catalog).
    Exhibited in Lam, Recent Paintings, 1945, and Wifredo Lam, Early Works, 1942–1951, 1982, Pierre Matisse Gallery, New York.
    Illustrated as no. 11 in the exhibition catalog.
    Exhibited in Wifredo Lam, Obras desde 1938 hasta 1975, de regreso al Caribe, 1992, Arsenal de la Puntilla, San Juan.
    Also exhibited in Wifredo Lam and His Contemporaries 1938–1952, 1992, The Studio Museum in Harlem, New York.

    Illustrations:
    Illustrated as no. 98 in the exhibition catalog, page 122.
    Illustrated in Lam, by M. Leiris, Fratelli Fabbri, Milan, 1970, no. 52.
    Illustrated in Wifredo Lam, by Max-Pol Fouchet, Polígrafa/Cercle d’Art, Barcelona/Paris, 1976 ed, page 233, no. 378.
    Also illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume 1, 1923–1960, Project Director: Eskil Lam,
    Acatos, 1996, page 368, no. 45.03.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 28.

    René Portocarrero<br>
Landscape<br> (<i>Paisaje</i>), 1944<br>
oil on board<br> 31 x 35 inches<br><br>
<i>Provenance</i>:<br>
Juan David Collection, Havana, Cuba.<br>
Time Dimension + Color, Coral Gables, Florida.<br>
José Cordera Collection, San Juan, Puerto Rico.<br>
<i>Cernuda</i> Arte, Coral Gables, Florida.<br>
Private Collection, Coral Gables, Florida.<br><br>
<i>Exhibitions</i>:<br>Exhibited at <i>René Portocarrero Exposición
Retrospectiva</i>, National Museum,<br> Havana,
Cuba, July 1967, lot 47.<br>
(Museum’s exhibition label attached on
the back of the work.)<br><br>
<i>Illustrations:</i><br>
This painting is illustrated in the book
<i>Cuban Art, Remembering Cuba Through
its Art</i>, 2004,<br> Arte el Día International,
Miami, Florida, page 147.<br>
It is also illustrated in the book
<i>Portocarrero, Ramón Vázquez Díaz</i>,<br>
Fundación Arte Cubano, 2015,
pages 124–125.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 52.
    René Portocarrero
    Landscape
    (Paisaje), 1944
    oil on board
    31 x 35 inches

    Provenance:
    Juan David Collection, Havana, Cuba.
    Time Dimension + Color, Coral Gables, Florida.
    José Cordera Collection, San Juan, Puerto Rico.
    Cernuda Arte, Coral Gables, Florida.
    Private Collection, Coral Gables, Florida.

    Exhibitions:
    Exhibited at René Portocarrero Exposición Retrospectiva, National Museum,
    Havana, Cuba, July 1967, lot 47.
    (Museum’s exhibition label attached on the back of the work.)

    Illustrations:
    This painting is illustrated in the book Cuban Art, Remembering Cuba Through its Art, 2004,
    Arte el Día International, Miami, Florida, page 147.
    It is also illustrated in the book Portocarrero, Ramón Vázquez Díaz,
    Fundación Arte Cubano, 2015, pages 124–125.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 52.

    Mariano Rodríguez<br> Birds<br> (<i>Pájaros</i>), 1958<br> oil on canvas<br> 44 ¼ x 49 ¾ inches<br><br>
Exhibited in <i>Mariano</i>, The National Museum of Fine Arts, Caracas, Venezuela,<br> June 1958, and listed as no. 16 in the exhibition catalog.<br>
Also exhibited at the Center of Fine Arts in Maracaibo, Venezuela, in 1958.<br><br>
This painting is accompanied by a photo-certificate of authenticity signed by<br> Alejandro Rodríguez,
son of the artist, dated April 26, 2010.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Nine, Cernuda</i> Arte,<br> Coral Gables, Florida, page 48.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 74.
    Mariano Rodríguez
    Birds
    (Pájaros), 1958
    oil on canvas
    44 ¼ x 49 ¾ inches

    Exhibited in Mariano, The National Museum of Fine Arts, Caracas, Venezuela,
    June 1958, and listed as no. 16 in the exhibition catalog.
    Also exhibited at the Center of Fine Arts in Maracaibo, Venezuela, in 1958.

    This painting is accompanied by a photo-certificate of authenticity signed by
    Alejandro Rodríguez, son of the artist, dated April 26, 2010.

    Illustrated in Important Cuban Artworks, Volume Nine, Cernuda Arte,
    Coral Gables, Florida, page 48.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 74.

    René Portocarrero <br>
Winged Figure in the Bush</br> 
(<i>Figura Alada en el Monte</i>), 1947<br>
mixed media on heavy paper laid down on board</br>
 24 ¾ x 21 ¼ inches<br></br>


<i>Provenance:</i><br>
The Estate of Joshua and Nedda Logan, New York, New York.
Joshua Logan (1908-1988) was an actor,<br> director and writer. He was active in Broadway productions such as Annie Get Your Gun, South Pacific,<br> Mister Roberts and others. He was awarded the Pulitzer Prize for Drama for co-writing South Pacific in 1950.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 56.
    René Portocarrero
    Winged Figure in the Bush
    (Figura Alada en el Monte), 1947
    mixed media on heavy paper laid down on board
    24 ¾ x 21 ¼ inches

    Provenance:
    The Estate of Joshua and Nedda Logan, New York, New York. Joshua Logan (1908-1988) was an actor,
    director and writer. He was active in Broadway productions such as Annie Get Your Gun, South Pacific,
    Mister Roberts and others. He was awarded the Pulitzer Prize for Drama for co-writing South Pacific in 1950.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 56.

    René Portocarrero<br> Viñales Valley<br> (<i>Valle de Viñales</i>), 1944<br> oil on canvas<br> 16 ¼ x 14 ¼ inches<br><br>
This painting is accompanied by a photo-certificate of authenticity<br> signed by Ramón Vázquez Díaz, dated 21 August, 2003.<br><br>
<i>Provenance</i>:<br> Private Collection, Santo Domingo, Dominican Republic.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 54.
    René Portocarrero
    Viñales Valley
    (Valle de Viñales), 1944
    oil on canvas
    16 ¼ x 14 ¼ inches

    This painting is accompanied by a photo-certificate of authenticity
    signed by Ramón Vázquez Díaz, dated 21 August, 2003.

    Provenance:
    Private Collection, Santo Domingo, Dominican Republic.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 54.

    René Portocarrero<br> Woman in Yellow Background<br> (<i>Mujer en Fondo Amarillo</i>), 1960<br>
oil on canvas laid down on Masonite<br> 23 x 19 ¼ inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 59.
    René Portocarrero
    Woman in Yellow Background
    (Mujer en Fondo Amarillo), 1960
    oil on canvas laid down on Masonite
    23 x 19 ¼ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 59.

    Amelia Peláez<br>
Untitled</br>
(<i>Sin Título</i>), 1950<br>
oil on canvas</br>
45 x 34 ¾ inches<br>
</br><br>
<i>Provenance:</i><br>
Private Collection, Coral Gables , Florida.
</br>
Christie’s, Latin American Sale, New York, 24 November 1998, lot 41 (illustrated in color).
<br>
Jerry Lindzon Collection, Coconut Grove, Florida 1998 to 2007.
</br>
Mary-Anne Martin/Fine Art, New York, New York.
Private Collection, Coral Gables, Florida, 2008 to 2016.
<br>
Christie’s, Latin American Sale, New York, 22 November 2016, lot 48 (illustrated in color).
</br>
Exhibited in Amelia Peláez: The Craft of Modernity, Pérez Art Museum Miami, Miami, Florida,<br> December 2013–February 2014,
and illustrated in the accompanying catalog, page 99.<br><br>
<i>Illustrations:</i><br>
Illustrated in Amelia Peláez, Cerámica, by M.E. Jubrías, Havana Ediciones Vanguardia Cubana, 2008, page 13.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 38.
    Amelia Peláez
    Untitled
    (Sin Título), 1950
    oil on canvas
    45 x 34 ¾ inches


    Provenance:
    Private Collection, Coral Gables , Florida.
    Christie’s, Latin American Sale, New York, 24 November 1998, lot 41 (illustrated in color).
    Jerry Lindzon Collection, Coconut Grove, Florida 1998 to 2007.
    Mary-Anne Martin/Fine Art, New York, New York. Private Collection, Coral Gables, Florida, 2008 to 2016.
    Christie’s, Latin American Sale, New York, 22 November 2016, lot 48 (illustrated in color).
    Exhibited in Amelia Peláez: The Craft of Modernity, Pérez Art Museum Miami, Miami, Florida,
    December 2013–February 2014, and illustrated in the accompanying catalog, page 99.

    Illustrations:
    Illustrated in Amelia Peláez, Cerámica, by M.E. Jubrías, Havana Ediciones Vanguardia Cubana, 2008, page 13.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 38.

    Amelia Peláez<br> Flower Vase on a Lace Tablecloth<br> (<i>Jarrón de Flores sobre Mantel de Encaje</i>), 1960<br>
mixed media on heavy paper laid down on board<br> 31 x 25 inches<br><br>
This painting is accompanied by a photo-certificate of authenticity<br> signed by Ramón Vázquez Díaz.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 39.
    Amelia Peláez
    Flower Vase on a Lace Tablecloth
    (Jarrón de Flores sobre Mantel de Encaje), 1960
    mixed media on heavy paper laid down on board
    31 x 25 inches

    This painting is accompanied by a photo-certificate of authenticity
    signed by Ramón Vázquez Díaz.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 39.

    Víctor Manuel García<br> City Park<br> (<i>Parque en la Ciudad</i>), ca. 1940<br> oil on canvas<br> 28 ¼ x 19 inches<br><br>
<i>Provenance</i>:<br> Private Collection, Madrid, Spain.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 23. Víctor Manuel García
    City Park
    (Parque en la Ciudad), ca. 1940
    oil on canvas
    28 ¼ x 19 inches

    Provenance:
    Private Collection, Madrid, Spain.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 23.

    Fidelio Ponce de León<br> Painting, Three Women<br> (<i>Pintura, Tres Mujeres</i>), 1935<br> oil on canvas<br> 24 x 29 ½ inches<br><br>
<i>Provenance</i>:<br> Private Collection, Santo Domingo, Dominican Republic.<br><br>
This painting will be included and illustrated in the forthcoming book,<br> <i>Fidelio Ponce de León, A Cuban Original</i>,
by Professor Juan A. Martínez.<br><br>
This painting is also signed, titled, and dated by the artist on the back.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 20.
    Fidelio Ponce de León
    Painting, Three Women
    (Pintura, Tres Mujeres), 1935
    oil on canvas
    24 x 29 ½ inches

    Provenance:
    Private Collection, Santo Domingo, Dominican Republic.

    This painting will be included and illustrated in the forthcoming book,
    Fidelio Ponce de León, A Cuban Original, by Professor Juan A. Martínez.

    This painting is also signed, titled, and dated by the artist on the back.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 20.

    Mario Carreño<br>
Dawn of the Volcanoes<br> 
<i>(Amanecer de los Volcanes)</i>, 1974<br>
oil on canvas<br>
33 1/4 x 47 inches<br><br>
<i>Exhibitions:</i><br>
Exhibited in <i>Mario Carreño</i>, Galería Imagen, Santiago de Chile, June, 1976,<br> illustrated on page 25 of the corresponding catalog.<br>
Exhibited in <i>Mario Carreño</i>, The Art Contact, Coconut Grove, Florida, March, 1979, <br>and illustrated in the corresponding exhibition catalog.<br>
Exhibited in Museo Nacional de Artes, Montevideo, Uruguay, <i>Mario Carreño, Retrospectiva 1945-1988</i>,<br> December 1988, and listed in the corresponding exhibition catalog.<br> 
Exhibited in Sotheby's New York, Latin American Art, May 2 and 3, 1990,lot number 196, <br>illustrated in the corresponding exhibition catalog.<br><br> 
<i>Illustrations:</i><br>
Illustrated in <i>Important Cuban Artworks, Volume Fourteen,                                                                                                       Cernuda</i> Arte,<br> Coral Gables, Florida, November 2016, pg. 175
Mario Carreño
    Dawn of the Volcanoes
    (Amanecer de los Volcanes), 1974
    oil on canvas
    33 1/4 x 47 inches

    Exhibitions:
    Exhibited in Mario Carreño, Galería Imagen, Santiago de Chile, June, 1976,
    illustrated on page 25 of the corresponding catalog.
    Exhibited in Mario Carreño, The Art Contact, Coconut Grove, Florida, March, 1979,
    and illustrated in the corresponding exhibition catalog.
    Exhibited in Museo Nacional de Artes, Montevideo, Uruguay, Mario Carreño, Retrospectiva 1945-1988,
    December 1988, and listed in the corresponding exhibition catalog.
    Exhibited in Sotheby's New York, Latin American Art, May 2 and 3, 1990,lot number 196,
    illustrated in the corresponding exhibition catalog.

    Illustrations:
    Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte,
    Coral Gables, Florida, November 2016, pg. 175

    René Portocarrero<br> Masked Figures (from the Carnival series)<br>
(<i>Figuras Enmascaradas, de la Serie Carnavales</i>), 1970<br> mixed media on heavy paper laid down on board<br>
19 ¾ x 25 ½ inches<br><br>
<i>Provenance:</i><br> Collection Bern, Switzerland.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 63.
    René Portocarrero
    Masked Figures (from the Carnival series)
    (Figuras Enmascaradas, de la Serie Carnavales), 1970
    mixed media on heavy paper laid down on board
    19 ¾ x 25 ½ inches

    Provenance:
    Collection Bern, Switzerland.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 63.

    Miguel Florido<br>
Resilience<br>
(<i>Resiliencia</i>), 2017<br>
acrylic on canvas<br>
48 3/4 x 91 1/2 inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 144.
    Miguel Florido
    Resilience
    (Resiliencia), 2017
    acrylic on canvas
    48 3/4 x 91 1/2 inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 144.

    Gina Pellón<br> Obedience is a Commodity<br> (<i>La Obediencia es una Comodidad</i>), 1993<br>
mixed media on canvas<br> 64 x 51 inches<br><br>
<i>Provenance</i>:<br> Private Collection, San Juan, Puerto Rico<br><br>
Exhibited in Gina Pellón, Elite Fine Art, Coral Gables, Florida, April, 1994,<br>
and illustrated in the corresponding exhibition catalog, a copy of which<br> accompanies the painting.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, Back Cover.
    Gina Pellón
    Obedience is a Commodity
    (La Obediencia es una Comodidad), 1993
    mixed media on canvas
    64 x 51 inches

    Provenance:
    Private Collection, San Juan, Puerto Rico

    Exhibited in Gina Pellón, Elite Fine Art, Coral Gables, Florida, April, 1994,
    and illustrated in the corresponding exhibition catalog, a copy of which
    accompanies the painting.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, Back Cover.

    Gina Pellón<br> Counter-Signal<br> (<i>Contraseña</i>), 1972<br> mixed media on canvas<br> 36 ¼ x 28 ¾ inches<br><br>
<i>Provenance</i>:<br> Collection, Denmark.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 101.
    Gina Pellón
    Counter-Signal
    (Contraseña), 1972
    mixed media on canvas
    36 ¼ x 28 ¾ inches

    Provenance:
    Collection, Denmark.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 101.

    Alfredo Sosabravo <br> The Singer<br> (<i>La Cantante</i>), 2017<br> acrylic and collage on canvas<br> 63 x 38 ½ inches<br><br>
<i>Provenance</i>:<br> Acquired directly from the artist.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 113.
    Alfredo Sosabravo
    The Singer
    (La Cantante), 2017
    acrylic and collage on canvas
    63 x 38 ½ inches

    Provenance:
    Acquired directly from the artist.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 113.

    Roberto Fabelo<br> Persistence<br> (<i>Persistencia</i>), 2015<br> oil on canvas<br> 90 1/2 x 78 3/4 inches<br><br>
<i>Illustrations</i>:<br>
Illustrated in <i>Important Cuban Artworks, Volume Fourteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2016, pg. 114.
    Roberto Fabelo
    Persistence
    (Persistencia), 2015
    oil on canvas
    90 1/2 x 78 3/4 inches

    Illustrations:
    Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte,
    Coral Gables, Florida, November 2016, pg. 114.

    Roberto Fabelo<br>The Struggle Goes On<br> (<i>La Lucha Continúa</i>), 2015<br>
drawing on metal cauldron<br> 29 ½ x 27 ½ x 10 inches<br><br>
Illustrated in the book <i>Fabelo, Persistencia</i>, Roma,<br> Palazzo della Cancilleria, May, 2017, page 108.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 119.
    Roberto Fabelo
    The Struggle Goes On
    (La Lucha Continúa), 2015
    drawing on metal cauldron
    29 ½ x 27 ½ x 10 inches

    Illustrated in the book Fabelo, Persistencia, Roma,
    Palazzo della Cancilleria, May, 2017, page 108.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 119.

    Roberto Fabelo<br> Romantic Rhinoceros<br> (<i>Rinocerontes Románticos</i>), 2017<br> acrylic on embroidered silk<br>55 ¾ x 47 ¾ inches<br><br> Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 118.
    Roberto Fabelo
    Romantic Rhinoceros
    (Rinocerontes Románticos), 2017
    acrylic on embroidered silk
    55 ¾ x 47 ¾ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 118.

    Roberto Fabelo<br> Meditation<br> (<i>Meditación</i>), 2016<br> acrylic on embroidered silk<br> 65 ¾ x 48 inches<br><br>
Illustrated in the book <i>Fabelo, Persistencia</i>,<br> Roma, Palazzo della Cancilleria, May, 2017, page 71.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 117.
    Roberto Fabelo
    Meditation
    (Meditación), 2016
    acrylic on embroidered silk
    65 ¾ x 48 inches

    Illustrated in the book Fabelo, Persistencia,
    Roma, Palazzo della Cancilleria, May, 2017, page 71.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 117.

    Roberto Fabelo<br>
Reunion of Friends<br>
(<i>Reunión de Amigos</i>), 1990<br>
oil on canvas<br>
38 1/2 x 54 1/2 inches<br><br>
<i>Provenance</i>:<br> Private Collection, Caracas, Venezuela.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 114.
    Roberto Fabelo
    Reunion of Friends
    (Reunión de Amigos), 1990
    oil on canvas
    38 1/2 x 54 1/2 inches

    Provenance:
    Private Collection, Caracas, Venezuela.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 114.

    Flora Fong<br>
Mariel Seaside<br> 
(<i>Mares del Mariel</i>), 2013<br>
oil on canvas<br>
67 1/2 x 84 1/2 inches
    Flora Fong
    Mariel Seaside
    (Mares del Mariel), 2013
    oil on canvas
    67 1/2 x 84 1/2 inches

    Manuel Mendive<br>
We Are The Same<br>
(<i>Somos los Mismos</i>), 2004<br>
acrylic on Royal Palm trunk<br>
35 x 15 x 6 1/2 inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 133.
    Manuel Mendive
    We Are The Same
    (Somos los Mismos), 2004
    acrylic on Royal Palm trunk
    35 x 15 x 6 1/2 inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 133.

    Manuel Mendive<br> River Waters<br> (<i>Aguas de Río</i>), 2014<br> bronze<br> 77 x 37 x 22 inches<br> 3/7, inscribed <i>Mendive</i> and numbered.<br><br>
<i>Exhibitions</i>:<br>
Exhibited in <i>Things that Cannot Be Seen Any Other Way: The Art of Manuel Mendive</i>,<br>
Frost Art Museum, Miami, Florida, November, 2013.<br>
This sculpture (different number) currently exhibited in the open air sculpture garden<br> of the Frost Art Museum, Miami, Florida.<br>
Also currently exhibited (different number) open air in the Seawall of Old Havana,<br> Avenue of the Port,
near the Alameda de Paula, Havana, Cuba.<br><br>
<i>Illustrations</i>:<br>
Illustrated (different number) in the book <i>Mendive</i>, Collage Ediciones,<br> Havana, 2015, page 220.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 134.
    Manuel Mendive
    River Waters
    (Aguas de Río), 2014
    bronze
    77 x 37 x 22 inches
    3/7, inscribed Mendive and numbered.

    Exhibitions:
    Exhibited in Things that Cannot Be Seen Any Other Way: The Art of Manuel Mendive,
    Frost Art Museum, Miami, Florida, November, 2013.
    This sculpture (different number) currently exhibited in the open air sculpture garden
    of the Frost Art Museum, Miami, Florida.
    Also currently exhibited (different number) open air in the Seawall of Old Havana,
    Avenue of the Port, near the Alameda de Paula, Havana, Cuba.

    Illustrations:
    Illustrated (different number) in the book Mendive, Collage Ediciones,
    Havana, 2015, page 220.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 134.

    Manuel Mendive<br> Dinner at Sunset<br> (<i>Comemos al Atardecer</i>), 2007<br> acrylic on canvas<br> 67 x 96 inches<br><br>
<i>Provenance</i>:<br> Acquired directly from the artist.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 131.
    Manuel Mendive
    Dinner at Sunset
    (Comemos al Atardecer), 2007
    acrylic on canvas
    67 x 96 inches

    Provenance:
    Acquired directly from the artist.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 131.

    Manuel Mendive<br> Axe<br> (<i>Hacha</i>), 2010<br> mixed media canvas in artist-made iron frame<br> 76 ¾ x 67 ¾ inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 135.
    Manuel Mendive
    Axe
    (Hacha), 2010
    mixed media canvas in artist-made iron frame
    76 ¾ x 67 ¾ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 135.

    Juan Roberto Diago<br>
Untitled [Quiet Power]<br>
(<i>Sin Título</i> [<i>Poder Pasivo</i>]), 2016<br>
mixed media and collage on canvas<br>
49 x 35 ¼ inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 139.
    Juan Roberto Diago
    Untitled [Quiet Power]
    (Sin Título [Poder Pasivo]), 2016
    mixed media and collage on canvas
    49 x 35 ¼ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 139.

    Juan Roberto Diago<br>
Looking for You on the Road<br>
(<i>Buscándote en el Camino</i>), 2012<br>
mixed media on canvas<br>
79 x 59 1/2 inches<br><br>
    Juan Roberto Diago
    Looking for You on the Road
    (Buscándote en el Camino), 2012
    mixed media on canvas
    79 x 59 1/2 inches


    Juan Roberto Diago<br>Something is Growing<br> (<i>Algo Está Creciendo</i>), 2004<br>
mixed media on canvas<br> 79 x 59 ¼ inches<br><br>
Exhibited in <i>Nine Contemporary Cuban Painters</i>, 2005, Monte Carlo, Monaco,<br>
and illustrated in the corresponding exhibition catalog, page 55.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 137.
    Juan Roberto Diago
    Something is Growing
    (Algo Está Creciendo), 2004
    mixed media on canvas
    79 x 59 ¼ inches

    Exhibited in Nine Contemporary Cuban Painters, 2005, Monte Carlo, Monaco,
    and illustrated in the corresponding exhibition catalog, page 55.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 137.

    Juan Roberto Diago <br> Untitled [Feel My Pain]<br> (<i>Sin Título</i> [<i>Siente Mi Dolor</i>]), 2016<br>
mixed media and collage on canvas<br> 23 ¾ x 31 ½ inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 140.
    Juan Roberto Diago
    Untitled [Feel My Pain]
    (Sin Título [Siente Mi Dolor]), 2016
    mixed media and collage on canvas
    23 ¾ x 31 ½ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 140.

    Juan Roberto Diago<br> Untitled [It Hurts]<br> (<i>Sin Título</i> [<i>Duele</i>]), 2016<br>
mixed media and collage on canvas<br> 23 ¾ x 31 ½ inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 140.
    Juan Roberto Diago
    Untitled [It Hurts]
    (Sin Título [Duele]), 2016
    mixed media and collage on canvas
    23 ¾ x 31 ½ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 140.

    Guido Llinás <br> Trinidad V<br> (<i>Trinidad V</i>)<br> 1963<br> oil on canvas<br> 32 x 39 1/4 inches<br><br>
<i>Provenance:</i><br> Private Collection, Madrid, Spain.<br>
Also signed, titled and dated on the back of the work.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 179.
    Guido Llinás
    Trinidad V
    (Trinidad V)
    1963
    oil on canvas
    32 x 39 1/4 inches

    Provenance:
    Private Collection, Madrid, Spain.
    Also signed, titled and dated on the back of the work.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 179.

    Miguel Florido<br> Resilience<br> (<i>Resiliencia</i>), 2017<br> oil on canvas<br> 48 3/4 x 91 1/2 inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 144.
    Miguel Florido
    Resilience
    (Resiliencia), 2017
    oil on canvas
    48 3/4 x 91 1/2 inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 144.

    Miguel Florido<br> A Declaration of Love<br>
(<i>Una Declaración de Amor</i>), 2017<br>
oil on canvas<br> 13 ¾ x 9 ¾ inches<br>
<br>Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 147.
    Miguel Florido
    A Declaration of Love
    (Una Declaración de Amor), 2017
    oil on canvas
    13 ¾ x 9 ¾ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 147.

    Miguel Florido<br> Loving You So Much<br> (<i>De Quererte Tanto</i>), 2015<br> oil on canvas<br> 9 ¾ x 13 ¾ inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 147.
    Miguel Florido
    Loving You So Much
    (De Quererte Tanto), 2015
    oil on canvas
    9 ¾ x 13 ¾ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 147.

    Miguel Florido<br>
If I Gave You Everything<br>
(<i>Si Todo te Di</i>), 2014<br>
oil on canvas<br>
13 3/4 x 9 3/4 inches
    Miguel Florido
    If I Gave You Everything
    (Si Todo te Di), 2014
    oil on canvas
    13 3/4 x 9 3/4 inches

    Miguel Florido<br>
Your Smile Refreshes My Life<br> 
(<i>Tu Sonrisa Me Refresca La Vida</i>), 2016-17<br>
oil on canvas<br>
13 3/4 x 9 3/4 inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 147.
    Miguel Florido
    Your Smile Refreshes My Life
    (Tu Sonrisa Me Refresca La Vida), 2016-17
    oil on canvas
    13 3/4 x 9 3/4 inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 147.

    Miguel Florido<br>
Paradise Found<br>
(<i>Un Paraíso Encontrado</i>), 2017<br>
oil on canvas<br>
31 ¼ x 23 ½ inches
<br><br>Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. .
    Miguel Florido
    Paradise Found
    (Un Paraíso Encontrado), 2017
    oil on canvas
    31 ¼ x 23 ½ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. .

    Irina Elén González<br>
This Is Not The End...<br> 
(<i>No Es El Fin...</i>), 2017<br>
acrylic on canvas<br>
59 x 43 inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 155.
    Irina Elén González
    This Is Not The End...
    (No Es El Fin...), 2017
    acrylic on canvas
    59 x 43 inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 155.

    Irina Elén González<br>
Evening Breeze<br>
(<i>Brisa Nocturna</i>), 2017<br>
acrylic on canvas<br>
39 ¼ x 31 ¼ inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 154.
    Irina Elén González
    Evening Breeze
    (Brisa Nocturna), 2017
    acrylic on canvas
    39 ¼ x 31 ¼ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 154.

    Joel Besmar<br> The Soul of the Universe<br> (<i>Anima Mundi</i>), 2017<br> oil on canvas<br> 78 1/2 x 57 1/2 inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 161.
    Joel Besmar
    The Soul of the Universe
    (Anima Mundi), 2017
    oil on canvas
    78 1/2 x 57 1/2 inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 161.

    Giosvany Echevarría<br> Interlude<br> (<i>Interludio</i>), 2016<br> oil on canvas<br> 9 3/4 x 13 ¾ inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 166.
    Giosvany Echevarría
    Interlude
    (Interludio), 2016
    oil on canvas
    9 3/4 x 13 ¾ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 166.

    Giosvany Echevarría<br>
Ecstasy at Daytime<br>
(<i>Extasis Diurno</i>), 2015<br>
oil on canvas<br>
9 3/4 x 13 3/4 inches
    Giosvany Echevarría
    Ecstasy at Daytime
    (Extasis Diurno), 2015
    oil on canvas
    9 3/4 x 13 3/4 inches

    Giosvany Echevarría<br> A New Dawn<br> (<i>Un Nuevo Amanecer</i>), 2017<br> oil on canvas<br> 40 x 78 ¾ inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 166.
    Giosvany Echevarría
    A New Dawn
    (Un Nuevo Amanecer), 2017
    oil on canvas
    40 x 78 ¾ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 166.

    Jorge Luis Santos<br>
Number 5<br>
(<i>Número 5</i>), 2015<br>
mixed media on canvas<br>
70 1/2 x 70 1/2 inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 170.
    Jorge Luis Santos
    Number 5
    (Número 5), 2015
    mixed media on canvas
    70 1/2 x 70 1/2 inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 170.

    Eduardo Abela<br> Childhood Dreams<br> (<i>Sueños de la Infancia</i>), ca. 1955<br> oil on board<br> 13 ½ x 14 ½ inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 35.
    Eduardo Abela
    Childhood Dreams
    (Sueños de la Infancia), ca. 1955
    oil on board
    13 ½ x 14 ½ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 35.

    Eduardo Abela<br>Young Bride with Flower Bouquet<br> (<i>Novia con Bouquet de Flores</i>), 1964<br>
oil on canvas laid down on board<br> 12 ½ x 14 ½ inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 37.
    Eduardo Abela
    Young Bride with Flower Bouquet
    (Novia con Bouquet de Flores), 1964
    oil on canvas laid down on board
    12 ½ x 14 ½ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 37.

    Eduardo Abela<br> Men with Roosters<br> (<i>Hombres con Gallos</i>), ca. 1960<br>
oil on board<br> 13 ¾ x 12 inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 36.
    Eduardo Abela
    Men with Roosters
    (Hombres con Gallos), ca. 1960
    oil on board
    13 ¾ x 12 inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 36.

    Mariano Rodriguez<br>  Rooster<br> (<i>Gallo</i>), 1987<br> bronze, 6 of 6<br> 15 1/4 x 11 x 5 3/4 inches<br><br>
Exhibited in <i>Mariano, La Fiesta del Amor</i>, Fondo Cubano de Bienes Culturales,<br> Havana, Cuba, May 1987.<br>
Illustrated (the terracotta model for this sculpture) in the corresponding<br> exhibition catalog, number 50.<br>
Exhibited in <i>Mariano, Arco, 2005</i>, Arco Art Fair, Madrid, Spain, February 2005,<br>
and illustrated (different number) and listed in the corresponding<br> exhibition brochure, number 10.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 76.
    Mariano Rodriguez
    Rooster
    (Gallo), 1987
    bronze, 6 of 6
    15 1/4 x 11 x 5 3/4 inches

    Exhibited in Mariano, La Fiesta del Amor, Fondo Cubano de Bienes Culturales,
    Havana, Cuba, May 1987.
    Illustrated (the terracotta model for this sculpture) in the corresponding
    exhibition catalog, number 50.
    Exhibited in Mariano, Arco, 2005, Arco Art Fair, Madrid, Spain, February 2005,
    and illustrated (different number) and listed in the corresponding
    exhibition brochure, number 10.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 76.

    Mariano Rodríguez<br> Woman with Fruits<br> (<i>Mujer con Frutas</i>), 1943<br> oil on canvas<br> 24 1/2 x 20 1/8 inches<br><br>
<i>Provenance</i>:<br> Sonia Báez Collection, Havana, Cuba;<br> Private Collection, Santo Domingo, Dominican Republic.<br><br>
Exhibited in <i>Mariano, Una Energía Voluptuosa</i>, Casa de las Américas,<br> Havana, Cuba, and listed in the corresponding catalog, no. 34.<br>
Exhibited in <i>Subasta Habana</i>, Havana, Cuba, 2005,<br> and illustrated in the corresponding auction catalog, pages 51 & 52.<br><br>
Illustrated in the book, <i>Mariano, Tema, Discurso y Humanidad</i>, Dannys Montes de Oca,<br>Escandón Impresores, Seville, Spain, 2004, page 129.<br>
Illustrated in <i>Mariano, Catálogo Razonado, Pintura y Dibujo 1936-1949, Volumen I</i>,<br> Segunda Edición, Seville, Spain, 2008, page 130, no. 43.13.<br><br>
Inventoried in the Musuem of Modern Art (MoMA), New York, under code 44.505, loan no. 6.
    Mariano Rodríguez
    Woman with Fruits
    (Mujer con Frutas), 1943
    oil on canvas
    24 1/2 x 20 1/8 inches

    Provenance:
    Sonia Báez Collection, Havana, Cuba;
    Private Collection, Santo Domingo, Dominican Republic.

    Exhibited in Mariano, Una Energía Voluptuosa, Casa de las Américas,
    Havana, Cuba, and listed in the corresponding catalog, no. 34.
    Exhibited in Subasta Habana, Havana, Cuba, 2005,
    and illustrated in the corresponding auction catalog, pages 51 & 52.

    Illustrated in the book, Mariano, Tema, Discurso y Humanidad, Dannys Montes de Oca,
    Escandón Impresores, Seville, Spain, 2004, page 129.
    Illustrated in Mariano, Catálogo Razonado, Pintura y Dibujo 1936-1949, Volumen I,
    Segunda Edición, Seville, Spain, 2008, page 130, no. 43.13.

    Inventoried in the Musuem of Modern Art (MoMA), New York, under code 44.505, loan no. 6.

    Mariano Rodríguez<br> Two Women with a Bull and a Horse<br> (<i>Dos Mujeres con Toro y Caballo</i>), 1945<br>
mixed media on heavy paper laid down on board<br> 11 x 13 ¾ inches<br><br>
<i>Provenance</i>:<br> The Estate of Mariano Rodríguez.<br><br>
Illustrated in <i>Mariano, Catálogo Razonado, Volume I</i>, 2nd Edition,<br> page 191, no. 45.23.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 69.
    Mariano Rodríguez
    Two Women with a Bull and a Horse
    (Dos Mujeres con Toro y Caballo), 1945
    mixed media on heavy paper laid down on board
    11 x 13 ¾ inches

    Provenance:
    The Estate of Mariano Rodríguez.

    Illustrated in Mariano, Catálogo Razonado, Volume I, 2nd Edition,
    page 191, no. 45.23.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 69.

    Mariano Rodríguez<br>
Three Women in Interior<br>
(<i>Tres Mujeres en Interior</i>), ca. 1943<br>
mixed media on heavy paper, double sided<br>
13 ½ x 10 ¾ inches<br><br>
Illustrated in <i>Mariano, Catálogo Razonado,
Volume I</i>, 2nd Edition,<br> page 95, no. 43.171.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 67.
    Mariano Rodríguez
    Three Women in Interior
    (Tres Mujeres en Interior), ca. 1943
    mixed media on heavy paper, double sided
    13 ½ x 10 ¾ inches

    Illustrated in Mariano, Catálogo Razonado, Volume I, 2nd Edition,
    page 95, no. 43.171.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 67.

    Mariano Rodríguez<br> Woman with Flowers in Her Hand<br> (<i>Mujer con Flores en la Mano</i>), ca. 1943<br>
mixed media on paper laid down on masonite<br> 19 ¼ x 14 ½ inches<br><br>
<i>Provenance</i>:<br> The Estate of Mariano Rodríguez.<br>
This painting is accompanied by a photo-certificate of authenticity<br> signed by Dolores and Alejandro Rodríguez,<br>
daughter and son of the artist.<br><br>
Illustrated in <i>Mariano, Catálogo Razonado, Volume I</i>, 2nd Edition,<br> page 155, no. 43.103.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 64.
    Mariano Rodríguez
    Woman with Flowers in Her Hand
    (Mujer con Flores en la Mano), ca. 1943
    mixed media on paper laid down on masonite
    19 ¼ x 14 ½ inches

    Provenance:
    The Estate of Mariano Rodríguez.
    This painting is accompanied by a photo-certificate of authenticity
    signed by Dolores and Alejandro Rodríguez,
    daughter and son of the artist.

    Illustrated in Mariano, Catálogo Razonado, Volume I, 2nd Edition,
    page 155, no. 43.103.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 64.

    Mariano Rodríguez<br> Couple<br> (<i>Pareja</i>), ca. 1948<br>
mixed media on heavy paper, double sided<br> 10 ¾ x 13 ½ inches<br><br>
<i>Provenance</i>:<br> The Estate of Mariano Rodríguez.<br>
Illustrated in <i>Mariano, Catálogo Razonado, Volume I</i>, 2nd Edition,<br> page 227, no. 48.01 and 48.02.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 72.
    Mariano Rodríguez
    Couple
    (Pareja), ca. 1948
    mixed media on heavy paper, double sided
    10 ¾ x 13 ½ inches

    Provenance:
    The Estate of Mariano Rodríguez.
    Illustrated in Mariano, Catálogo Razonado, Volume I, 2nd Edition,
    page 227, no. 48.01 and 48.02.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 72.

    Mariano Rodríguez<br> Fruits and Reality<br> (<i>Frutas y Realidad</i>), ca. 1969<br> oil on canvas<br> 25 x 30 inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Eleven, Cernuda</i> Arte, pg. 84.
    Mariano Rodríguez
    Fruits and Reality
    (Frutas y Realidad), ca. 1969
    oil on canvas
    25 x 30 inches

    Illustrated in Important Cuban Artworks, Volume Eleven, Cernuda Arte, pg. 84.

    René Portocarrero<br> Flowers in Interior<br> (<i>Flores en Interior</i>), 1947<br>
mixed media on heavy paper laid on board<br> 16 ½ x 12 ¾ inches<br>
<i>Provenance</i>:<br> The Estate of Joshua and Nedda Logan, New York, New York.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 57.
    René Portocarrero
    Flowers in Interior
    (Flores en Interior), 1947
    mixed media on heavy paper laid on board
    16 ½ x 12 ¾ inches
    Provenance:
    The Estate of Joshua and Nedda Logan, New York, New York.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 57.

    René Portocarrero<br> Little Devil<br> (<i>Diablito</i>), 1962<br> oil on canvas<br> 20 ¼ x 16 ¼ inches<br><br>
This painting is accompanied by a photo-certificate of authenticity signed by Ramón Vázquez Díaz.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 60.
    René Portocarrero
    Little Devil
    (Diablito), 1962
    oil on canvas
    20 ¼ x 16 ¼ inches

    This painting is accompanied by a photo-certificate of authenticity signed by Ramón Vázquez Díaz.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 60.

    René Portocarrero <br> Women with Doves<br> (<i>Mujeres con Palomas</i>), 1974<br>
mixed media on heavy paper laid down on board<br> 23 x 29 inches<br>
This painting was exhibited at Christie’s East, New York, November 23, 1999, lot 77,<br>
and it is illustrated in the corresponding auction catalog.<br><br>
<i>Provenance:</i><br> Private Collection, Miami, Florida.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 177.
    René Portocarrero
    Women with Doves
    (Mujeres con Palomas), 1974
    mixed media on heavy paper laid down on board
    23 x 29 inches
    This painting was exhibited at Christie’s East, New York, November 23, 1999, lot 77,
    and it is illustrated in the corresponding auction catalog.

    Provenance:
    Private Collection, Miami, Florida.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 177.

    René Portocarrero<br> Ornamented Head of a Woman<br> (<i>Cabeza de Mujer Ornamentada</i>), 1975<br>
mixed media on heavy paper<br> 29 x 20 inches<br><br>
<i>Provenance</i>:<br> Collection Warsaw, Poland.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 62.
    René Portocarrero
    Ornamented Head of a Woman
    (Cabeza de Mujer Ornamentada), 1975
    mixed media on heavy paper
    29 x 20 inches

    Provenance:
    Collection Warsaw, Poland.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 62.

    René Portocarrero<br>
Flower Vase<br> (<i>Florero</i>), 1942<br> mixed media on heavy paper laid down on board<br>
14 x 9 1/2 inches<br><br>
<i>Provenance</i>:<br>
This artwork was part of the Odette Lavergne Collection,
Paris, France.<br> It is illustrated in the Besch Commissaire- Priseur
exhibition catalogue<br> of the Mme. Odette Lavergne Collection,
Cannes, France,<br> November 1, 2009, page 58.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 55.
    René Portocarrero
    Flower Vase
    (Florero), 1942
    mixed media on heavy paper laid down on board
    14 x 9 1/2 inches

    Provenance:
    This artwork was part of the Odette Lavergne Collection, Paris, France.
    It is illustrated in the Besch Commissaire- Priseur exhibition catalogue
    of the Mme. Odette Lavergne Collection, Cannes, France,
    November 1, 2009, page 58.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 55.

    René Portocarrero<br> Boy King<br> (<i>Niño Rey</i>), 1955<br>
mixed media on heavy paper laid down on board<br> 15 x 11 inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 58.
    René Portocarrero
    Boy King
    (Niño Rey), 1955
    mixed media on heavy paper laid down on board
    15 x 11 inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 58.

    Antonia Eiriz <br>
Woman and Mandolin<br>
(<i>Mujer y Mandolina</i>), 1951<br>
oil on canvas<br>
36 x 15 inches<br><br>
This painting is accompanied by a
photo-certificate of authenticity<br> issued by
Manuel Carvajal, brother in law of Antonia Eiriz,<br>
dated November 27, 2005.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 87.
    Antonia Eiriz
    Woman and Mandolin
    (Mujer y Mandolina), 1951
    oil on canvas
    36 x 15 inches

    This painting is accompanied by a photo-certificate of authenticity
    issued by Manuel Carvajal, brother in law of Antonia Eiriz,
    dated November 27, 2005.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 87.

    Antonia Eiriz<br>
In Agony<br> (<i>En Agonía</i>), ca. 1965<br>
oil on metal laid down on wood<br>
18 ¼ x 13 ¾ inches<br><br>
This painting is accompanied by a
photo-certificate of authenticity<br> signed by
Pablo Vidal Eiriz, son of the artist.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 90.
    Antonia Eiriz
    In Agony
    (En Agonía), ca. 1965
    oil on metal laid down on wood
    18 ¼ x 13 ¾ inches

    This painting is accompanied by a photo-certificate of authenticity
    signed by Pablo Vidal Eiriz, son of the artist.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 90.

    Antonia Eiriz <br>
Turbulent Impulses<br>
(<i>Impulsos Turbulentos</i>), ca. 1965<br>
oil on metal laid down on wood<br>
18 x 13 ¾ inches<br><br>
This painting is accompanied by a
photo-certificate of authenticity<br> signed by
Pablo Vidal Eiriz son of the artist.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 90.
    Antonia Eiriz
    Turbulent Impulses
    (Impulsos Turbulentos), ca. 1965
    oil on metal laid down on wood
    18 x 13 ¾ inches

    This painting is accompanied by a photo-certificate of authenticity
    signed by Pablo Vidal Eiriz son of the artist.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 90.

    Raúl Martínez<br> Painting<br> (<i>Pintura</i>), 1957<br> mixed media on canvas<br> 70 x 50 inches<br><br>
<i>Provenance</i>:<br> Iván Cañas Collection, Havana, Cuba.<br>
Private Collection, Key Biscayne, Florida<br><br>
Illustrated in the book <i>Pintores Cubanos</i>, Ediciones R., Havana, Cuba,<br> Edmundo Desnoes, 1962, page 191.<br>
Also illustrated in the book, <i>Raúl Martínez, La Gran Familia</i>,<br> Corina Matamoros, 2015, page 34, Fig. 18<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 88.
    Raúl Martínez
    Painting
    (Pintura), 1957
    mixed media on canvas
    70 x 50 inches

    Provenance:
    Iván Cañas Collection, Havana, Cuba.
    Private Collection, Key Biscayne, Florida

    Illustrated in the book Pintores Cubanos, Ediciones R., Havana, Cuba,
    Edmundo Desnoes, 1962, page 191.
    Also illustrated in the book, Raúl Martínez, La Gran Familia,
    Corina Matamoros, 2015, page 34, Fig. 18

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 88.

    Wifredo Lam<br> Living Beacon<br> (<i>Guía Viviente</i>), 1977<br> bronze sculpture, 19 of 50<br> 11 ¼ x 5 x 4 inches<br><br>.
This sculpture (different number) was exhibited in <i>Wifredo Lam: The Changing Image—Centennial Exhibition</i>,<br>
Yokohama Museum of Art, Yokohama, Japan, October 26, 2002–January 13, 2003,<br>
and is illustrated and listed as number 113 in the accompanying catalog.<br><br>
This sculpture (different number) is illustrated in <i>Journal Artcurial</i>, no. 14,<br> October 1979, Paris, France.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 31.
    Wifredo Lam
    Living Beacon
    (Guía Viviente), 1977
    bronze sculpture, 19 of 50
    11 ¼ x 5 x 4 inches

    . This sculpture (different number) was exhibited in Wifredo Lam: The Changing Image—Centennial Exhibition,
    Yokohama Museum of Art, Yokohama, Japan, October 26, 2002–January 13, 2003,
    and is illustrated and listed as number 113 in the accompanying catalog.

    This sculpture (different number) is illustrated in Journal Artcurial, no. 14,
    October 1979, Paris, France.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 31.

    Angel Acosta León<br>
Bottles<br> (<i>Botellas</i>), 1958<br>
oil on wood<br> 22 x 9 ½ inches<br><br>
<I>Provenance</i>:<br> Galería Habana, Arte y Cinema, La Rampa, Havana, Cuba, exhibited in
November 1958.<br>
Collection, Maurice Roth, Atlanta, Georgia.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 96.
    Angel Acosta León
    Bottles
    (Botellas), 1958
    oil on wood
    22 x 9 ½ inches

    Provenance:
    Galería Habana, Arte y Cinema, La Rampa, Havana, Cuba, exhibited in November 1958.
    Collection, Maurice Roth, Atlanta, Georgia.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 96.

    Loló Soldevilla<br>
Untitled, (Abstraction)<br>
(<i>Sin Título</i>(<i>Abstracción</i>)), 1956<br>
mixed media on board<br> 11 x 14 inches<br>
<i>Provenance</i>:<br> Tresart, Miami, Florida.<br>
Private Collection, Orlando, Florida.<br>
Exhibited in <i>Loló Soldevilla</i>, November 2011, Tresart, Miami,<br> and illustrated in the corresponding exhibition catalog, page 44.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 51.
    Loló Soldevilla
    Untitled, (Abstraction)
    (Sin Título(Abstracción)), 1956
    mixed media on board
    11 x 14 inches
    Provenance:
    Tresart, Miami, Florida.
    Private Collection, Orlando, Florida.
    Exhibited in Loló Soldevilla, November 2011, Tresart, Miami,
    and illustrated in the corresponding exhibition catalog, page 44.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 51.

    Agustín Fernández<br> Fruits<br> (<i>Frutas</i>), ca. 1956<br> oil on wood<br> 17 x 30 inches<br><br>
This painting is accompanied by a photo-certificate of authenticity signed by<br> María Elena Molinet de la Peña, first wife of the artist, dated May 16, 1990.<br>
Also accompanied by a photo-certificate of authenticity signed by the artist, undated.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 89.
    Agustín Fernández
    Fruits
    (Frutas), ca. 1956
    oil on wood
    17 x 30 inches

    This painting is accompanied by a photo-certificate of authenticity signed by
    María Elena Molinet de la Peña, first wife of the artist, dated May 16, 1990.
    Also accompanied by a photo-certificate of authenticity signed by the artist, undated.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 89.

    Roberto Fabelo<br>
From the series <i>Animalia</i><br>
(<i>De la serie Animalia</i>), 2012<br>
bronze sculpture, 7 of 7<br>
30 1/4 x 21 5/8 x 21 inches <br><br>
    Roberto Fabelo
    From the series Animalia
    (De la serie Animalia), 2012
    bronze sculpture, 7 of 7
    30 1/4 x 21 5/8 x 21 inches


    Raúl Milián<br>
Light and Shadow<br>
(<i>Luz y Sombra</i>), 1955<br>
mixed media on heavy paper laid down on board<br>
14 ¾ x 10 ¾ inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 84.
    Raúl Milián
    Light and Shadow
    (Luz y Sombra), 1955
    mixed media on heavy paper laid down on board
    14 ¾ x 10 ¾ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 84.

    Raúl Milián <br>
Phases<br> (<i>Fases</i>), 1964<br>
mixed media on heavy paper laid down on board<br>
14 x 10 ¾ inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 84.
    Raúl Milián
    Phases
    (Fases), 1964
    mixed media on heavy paper laid down on board
    14 x 10 ¾ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 84.

    Raúl Milián<br>
Ideas<br> (<i>Ideas</i>), 1974<br>
mixed media on heavy paper laid down on board<br>
14 ⅞ x 11 1/8 inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 85.
    Raúl Milián
    Ideas
    (Ideas), 1974
    mixed media on heavy paper laid down on board
    14 ⅞ x 11 1/8 inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 85.

    Raúl Milián <br> Impressions<br> (<i>Impresiones</i>), 1962<br> mixed media on heavy paper laid down on board<br> 11 x 14 ¾ inches<br><br>Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 85.
    Raúl Milián
    Impressions
    (Impresiones), 1962
    mixed media on heavy paper laid down on board
    11 x 14 ¾ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 85.

    Raúl Milián <br>
Traces<br> (<i>Indicios</i>), 1977<br>
mixed media on heavy paper laid down on board<br>
15 ¾ x 11 ½ inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 86.
    Raúl Milián
    Traces
    (Indicios), 1977
    mixed media on heavy paper laid down on board
    15 ¾ x 11 ½ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 86.

    Raúl Milián<br>
Rhythms<br> (<i>Ritmos</i>), 1976<br>
mixed media on heavy paper laid down on board<br>
14 ¾ x 10 ¾ inches<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 86.
    Raúl Milián
    Rhythms
    (Ritmos), 1976
    mixed media on heavy paper laid down on board
    14 ¾ x 10 ¾ inches

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 86.

    Guido Llinás <br>
Black Painting<br> (<i>Pintura Negra</i>), 1973<br>
oil on heavy paper laid down on wood<br> 30 x 13 3/4 inches<br><br>
<i>Provenance</i>:<br>
Architect Juan M. Bustamante Collection, Palm Beach, Florida.<br> Arq. Bustamante acquired it directly from the artist.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fourteen, Cernuda</i> Arte, pg. 92.
    Guido Llinás
    Black Painting
    (Pintura Negra), 1973
    oil on heavy paper laid down on wood
    30 x 13 3/4 inches

    Provenance:
    Architect Juan M. Bustamante Collection, Palm Beach, Florida.
    Arq. Bustamante acquired it directly from the artist.

    Illustrated in Important Cuban Artworks, Volume Fourteen, Cernuda Arte, pg. 92.

    Roberto Diago Querol <br>
Seated Woman<br> (<i>Mujer Sentada</i>), 1944<br>
mixed media on heavy paper laid down on board<br>
14 ¾ x 11 inches<br><br>
<i>Provenance</i>:<br> Edouard Mathon, who acquired itdirectly from the artist in 1947 during<br>
Roberto Diago’s exhibition at the Centre d’Art,
in Port-au-Prince, Haiti.<br><br>
Illustrated in <i>Important Cuban Artworks, Volume Fifteen, Cernuda</i> Arte,<br>
Coral Gables, Florida, November 2017, pg. 46.
    Roberto Diago Querol
    Seated Woman
    (Mujer Sentada), 1944
    mixed media on heavy paper laid down on board
    14 ¾ x 11 inches

    Provenance:
    Edouard Mathon, who acquired itdirectly from the artist in 1947 during
    Roberto Diago’s exhibition at the Centre d’Art, in Port-au-Prince, Haiti.

    Illustrated in Important Cuban Artworks, Volume Fifteen, Cernuda Arte,
    Coral Gables, Florida, November 2017, pg. 46.

     
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