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Take a Peek,
A Selection of Artworks for
Dallas Art Fair 2017




Cernuda Arte will feature a selection of over 60 works
by Modern and Contemporary Cuban masters on display
at the ninth edition of the Dallas Art Fair 2017.

The Dallas Art Fair is at FIG (Fashion Industry Gallery)
1807 Ross Avenue, Dallas, TX 75201.

Please join us at BOOTH G7.






SHOW HOURS

Preview Gala

Thursday, April 6, 2017
6:00 PM - 10:00 PM

Regular Admission

Friday, April 7, 2017
11:00 AM - 7:00 PM
Saturday, April 8, 2017
11:00 AM - 7:00 PM
Sunday, April 9, 2017
12:00 PM - 6:00 PM

For more information, please contact:
Ramón Cernuda at (305) 299-2950
Isabel M. Suárez at (786) 495-6422
Eric González at (305) 297-6831




 
  • Special Moments Photos

  • WIFREDO LAM <br>
Untitled [Presences]<br>
(<i>Sin Título [Presencias]</i>), 1944<br>
oil on canvas<br>
42 1/8 x 33 1/2 inches<br><br>

<i>Provenance:</i><br>
Galerie Boulakia, Paris, France.<br>
Galerie 3+2, Paris, France.<br>
Private Collection, Paris, France.<br>
Private Collection, Coral Gables, Florida.<br> 
Private Collection, Lucerne, Switzerland.<br><br>

Exhibited in Christie’s New York, Latin American Sale, November 20-21, 2012,<br>
lot no. 17 and illustrated in the accompanying exhibition catalog, pages 34 and 35.<br>
Illustrated in <i>Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I,<br> 
1923-1960</i>, Project Director: Eskil Lam, Acatos 1996, page 358, no. 44.63.<br>
Illustrated in the book <i>Wifredo Lam</i>, by Max-Pol Fouchet, Ediciones Polígrafa, S.A.,<br>
Barcelona, Spain, First Edition 1976, page 234, no. 402.<br>
Illustrated in the book <i>Wifredo Lam</i>, by Max-Pol Fouchet, Ediciones Polígrafa, S.A.,<br>
Barcelona, Spain, Second Edition 1989, page 254, no. 434.<br>
Illustrated in <i>Important Cuban Artworks, Volume Eleven, Cernuda</i> Arte,<br>
Coral Gables, Florida, December 2014, page 33.<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 31.<br><br>

This painting is accompanied by a photo-certificate of authenticity signed by the artist,<br> Wifredo Lam, dated Paris, April 20, 1971.
    WIFREDO LAM
    Untitled [Presences]
    (Sin Título [Presencias]), 1944
    oil on canvas
    42 1/8 x 33 1/2 inches

    Provenance:
    Galerie Boulakia, Paris, France.
    Galerie 3+2, Paris, France.
    Private Collection, Paris, France.
    Private Collection, Coral Gables, Florida.
    Private Collection, Lucerne, Switzerland.

    Exhibited in Christie’s New York, Latin American Sale, November 20-21, 2012,
    lot no. 17 and illustrated in the accompanying exhibition catalog, pages 34 and 35.
    Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume I,
    1923-1960
    , Project Director: Eskil Lam, Acatos 1996, page 358, no. 44.63.
    Illustrated in the book Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa, S.A.,
    Barcelona, Spain, First Edition 1976, page 234, no. 402.
    Illustrated in the book Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa, S.A.,
    Barcelona, Spain, Second Edition 1989, page 254, no. 434.
    Illustrated in Important Cuban Artworks, Volume Eleven, Cernuda Arte,
    Coral Gables, Florida, December 2014, page 33.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 31.

    This painting is accompanied by a photo-certificate of authenticity signed by the artist,
    Wifredo Lam, dated Paris, April 20, 1971.

    WIFREDO LAM<br>
At the End of the Question<br>
(<i>Al Final de la Pregunta</i>), ca. 1971<br>
oil on canvas<br>
19 3/4 x 27 1/2 inches<br><br>

<i>Provenance:</i><br> 
Private Collection, Milan, Italy.<br>

Exhibited in <i>Wifredo Lam</i>, Galleria Gissi, Turin, Italy, April 1978.<br>
Illustrated in <i>Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II,<br>
1961-1982,</i> Project Director: Eskil Lam, Acatos 2002, page 348, no. 71.04.<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br>
Volume Fourteen</i>, page 32.
    WIFREDO LAM
    At the End of the Question
    (Al Final de la Pregunta), ca. 1971
    oil on canvas
    19 3/4 x 27 1/2 inches

    Provenance:
    Private Collection, Milan, Italy.
    Exhibited in Wifredo Lam, Galleria Gissi, Turin, Italy, April 1978.
    Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II,
    1961-1982,
    Project Director: Eskil Lam, Acatos 2002, page 348, no. 71.04.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 32.

    WIFREDO LAM<br>
Head<br>
(<i>Cabeza</i>), ca. 1972<br>
oil on canvas<br>
13 3/4 x 17 5/8 inches<br><br>

<i>Provenance:</i> <br>
Galerie Lelong, Paris.<br>
Yaco García Arte Latinoamericano, Panama.<br>

Exhibited in <i>Wifredo Lam in North America</i>, Haggerty Museum of Art,<br>
Marquette University, Milwaukee, Wisconsin, October 2007-January 2008. <br>
An exhibition that also traveled to the Miami Art Museum, Florida, February-May 2008,<br>
exhibited at Museum of Latin American Art, Long Beach, California, June-August 2008,<br>
and exhibited at Salvador Dalí Museum, St. Petersburg, Florida, October 2008-January 2009.<br>

Illustrated in <i>Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II,<br> 
1961-1982</i>, Project Director: Eskil Lam, Acatos 2002, page 377, no. 72.105.<br>
Illustrated in the book <i>Wifredo Lam</i>, by Max-Pol Fouchet, Ediciones Polígrafa, S.A.,<br> 
Barcelona, Spain, First Edition 1976, page 182, no. 232.<br>
Illustrated in the book <i>Wifredo Lam</i>, by Max-Pol Fouchet, Ediciones Polígrafa, S.A.,<br> 
Barcelona, Spain, Second Edition 1989, page 186, no. 232.<br>
Illustrated in <i>Wifredo Lam in North America</i>, with essays by Curtis L. Carter, Lowery Stokes Sims,<br> Dawn Ades, Valerie J. Fletcher, Edward Lucie-Smith and Lou Laurin Lam,<br> 
published by the Haggerty Museum of Art on page 135, ill. 61.<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 37.
    WIFREDO LAM
    Head
    (Cabeza), ca. 1972
    oil on canvas
    13 3/4 x 17 5/8 inches

    Provenance:
    Galerie Lelong, Paris.
    Yaco García Arte Latinoamericano, Panama.
    Exhibited in Wifredo Lam in North America, Haggerty Museum of Art,
    Marquette University, Milwaukee, Wisconsin, October 2007-January 2008.
    An exhibition that also traveled to the Miami Art Museum, Florida, February-May 2008,
    exhibited at Museum of Latin American Art, Long Beach, California, June-August 2008,
    and exhibited at Salvador Dalí Museum, St. Petersburg, Florida, October 2008-January 2009.
    Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II,
    1961-1982
    , Project Director: Eskil Lam, Acatos 2002, page 377, no. 72.105.
    Illustrated in the book Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa, S.A.,
    Barcelona, Spain, First Edition 1976, page 182, no. 232.
    Illustrated in the book Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa, S.A.,
    Barcelona, Spain, Second Edition 1989, page 186, no. 232.
    Illustrated in Wifredo Lam in North America, with essays by Curtis L. Carter, Lowery Stokes Sims,
    Dawn Ades, Valerie J. Fletcher, Edward Lucie-Smith and Lou Laurin Lam,
    published by the Haggerty Museum of Art on page 135, ill. 61.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 37.

    WIFREDO LAM <br>
Composition <br>
(<i>Composición</i>), 1973<br>
oil on canvas<br>
21 5/8 x 18 1/8 inches<br><br>

Signed and dated lower right, also signed and dated on the reverse.<br>

<i>Provenance:</i><br>
Private Collection, Italy.<br><br>

Illustrated in <i>Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II,<br>
1961-1982</i>, Acatos 2002, Project Director: Eskil Lam, page 431, no. 73.220.<br>
Illustrated in the book <i>Wifredo Lam</i>, by Max-Pol Fouchet,<br>
Ediciones Polígrafa, S.A., Barcelona, First Edition 1976, page 247, no. 623.<br>
Illustrated in <i>Wifredo Lam</i>, by Max-Pol Fouchet, Ediciones Polígrafa, S.A.,<br>
Barcelona, Second Edition 1989, page 267, no. 655.<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br>
Volume Fourteen</i>, page 32. <br><br>
This painting is accompanied by a photo-certificate of authenticity signed by<br>
Madame Lou Laurin Lam, dated April 22, 2002, no. 2-22.
    WIFREDO LAM
    Composition
    (Composición), 1973
    oil on canvas
    21 5/8 x 18 1/8 inches

    Signed and dated lower right, also signed and dated on the reverse.
    Provenance:
    Private Collection, Italy.

    Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II,
    1961-1982
    , Acatos 2002, Project Director: Eskil Lam, page 431, no. 73.220.
    Illustrated in the book Wifredo Lam, by Max-Pol Fouchet,
    Ediciones Polígrafa, S.A., Barcelona, First Edition 1976, page 247, no. 623.
    Illustrated in Wifredo Lam, by Max-Pol Fouchet, Ediciones Polígrafa, S.A.,
    Barcelona, Second Edition 1989, page 267, no. 655.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 32.

    This painting is accompanied by a photo-certificate of authenticity signed by
    Madame Lou Laurin Lam, dated April 22, 2002, no. 2-22.

    WIFREDO LAM<br>
Osun<br>
(<i>Osun</i>), 1979<br>
bronze sculpture, number 19 of 50<br>
16 1/4 x 7 3/4 x 3 3/4 inches<br><br>

Illustrated in <i>Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II,<br>
1961-1982</i>, Project Director: Eskil Lam, Acatos 2002, page 225, no. 125.<br>
Illustrated in <i>Wifredo Lam and the International Avant-Garde, 1923-1982</i>, <br>
Lowery Stokes Sims, University of Texas Press, Austin, Texas, 2002, page 207, no. 9.14.<br>
Illustrated in Important Cuban Artworks, Volume Thirteen, Cernuda Arte,<br> 
Coral Gables, Florida, November 2015, page 26 (same image, different number).<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 39.
    WIFREDO LAM
    Osun
    (Osun), 1979
    bronze sculpture, number 19 of 50
    16 1/4 x 7 3/4 x 3 3/4 inches

    Illustrated in Wifredo Lam: Catalogue Raisonné of the Painted Work, Volume II,
    1961-1982
    , Project Director: Eskil Lam, Acatos 2002, page 225, no. 125.
    Illustrated in Wifredo Lam and the International Avant-Garde, 1923-1982,
    Lowery Stokes Sims, University of Texas Press, Austin, Texas, 2002, page 207, no. 9.14.
    Illustrated in Important Cuban Artworks, Volume Thirteen, Cernuda Arte,
    Coral Gables, Florida, November 2015, page 26 (same image, different number).

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 39.

    WIFREDO LAM<br>
Untitled [Shower of Color]<br>
(<i>Sin Título [Lluvia de Color]</i>), 1977<br>
one-of-a-kind terracotta plate, hand painted by the artist<br>
16 1/4 inches in diameter<br><br>
<i>Provenance:</i><br>
Ceramiche San Giorgio, Albisola, Italy.<br> Collection, Milan, Italy.<br><br>

This artwork is accompanied by a photo-certificate of authenticity <br>
signed by Monsieur Eskil Lam, dated November 19, 2015, no. 15.22.<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 38.
    WIFREDO LAM
    Untitled [Shower of Color]
    (Sin Título [Lluvia de Color]), 1977
    one-of-a-kind terracotta plate, hand painted by the artist
    16 1/4 inches in diameter

    Provenance:
    Ceramiche San Giorgio, Albisola, Italy.
    Collection, Milan, Italy.

    This artwork is accompanied by a photo-certificate of authenticity
    signed by Monsieur Eskil Lam, dated November 19, 2015, no. 15.22.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 38.

    RENÉ PORTOCARRERO<br>Shooting Range,<br> <i>(Tiro al Blanco)</i>,<br> 1952,<br>
mixed media on heavy paper laid down on board,<br> 9 3/8 x 12 5/8 inches<br><br>
<i>Provenance:</i><br> The Anselmo and Meredith Rae Reyes Collection, Virginia.<br><br>
This work is the preparatory study for <i>Shooting Range,La Concha</i>,<br> 1952, oil on canvas, 100 cm. x 134.5 cm.,<br>
at the National Museum of Fine Arts in Havana, Cuba.<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen,</i> page 61.
    RENÉ PORTOCARRERO
    Shooting Range,
    (Tiro al Blanco),
    1952,
    mixed media on heavy paper laid down on board,
    9 3/8 x 12 5/8 inches

    Provenance:
    The Anselmo and Meredith Rae Reyes Collection, Virginia.

    This work is the preparatory study for Shooting Range,La Concha,
    1952, oil on canvas, 100 cm. x 134.5 cm.,
    at the National Museum of Fine Arts in Havana, Cuba.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen,
    page 61.

    JOSÉ M. MIJARES<br>
Young Lady with Fish Bowl<br>
(<i>Muchacha con Pecera</i>), 1950<br>
oil on canvas board<br>
23 x 19 inches
    JOSÉ M. MIJARES
    Young Lady with Fish Bowl
    (Muchacha con Pecera), 1950
    oil on canvas board
    23 x 19 inches

    JOSÉ M. MIJARES<br>
Young Lady in the City<br>
(<i>Muchacha en la Ciudad</i>), ca. 1950<br>
oil on board<br>
10 x 8 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br>
Volume Nine</i>, page 51.
    JOSÉ M. MIJARES
    Young Lady in the City
    (Muchacha en la Ciudad), ca. 1950
    oil on board
    10 x 8 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Nine
    , page 51.

    JOSÉ M. MIJARES<br>
Cuban Port<br>
(<i>Puerto Cubano</i>)<br>
1969<br>
oil on canvas<br>
32 x 40 inches<br><br>
This painting was exhibited in <i>Celebrando a Mijares, 50 Años de Creación</i>,<br> Cuban Museum of Arts and Culture, Miami, Florida, 1994,
and is illustrated<br> in the corresponding exhibition catalog, forty-first page (unnumbered pages).<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 54.
    JOSÉ M. MIJARES
    Cuban Port
    (Puerto Cubano)
    1969
    oil on canvas
    32 x 40 inches

    This painting was exhibited in Celebrando a Mijares, 50 Años de Creación,
    Cuban Museum of Arts and Culture, Miami, Florida, 1994, and is illustrated
    in the corresponding exhibition catalog, forty-first page (unnumbered pages).

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 54.

    JOSÉ M. MIJARES<br>
Midday<br> 
(<i>Mediodía</i>), 1989<br>
oil on canvas<br> 48 x 38 inches<br>
<i>Provenance:</i><br>
Alejandro López Collection, Miami, Florida.<br>
Private Collection, New York, New York.<br><br>
Illustrated in The World of José Mijares,<br>
Marpad Art Gallery, 1992, unnumbered pages.<br>
Illustrated in the book, <i>José Mijares, Paintings</i>,<br>
Palette Publications, 1997, page 64.<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br>
Volume Six</i>, page 71.
    JOSÉ M. MIJARES
    Midday
    (Mediodía), 1989
    oil on canvas
    48 x 38 inches
    Provenance:
    Alejandro López Collection, Miami, Florida.
    Private Collection, New York, New York.

    Illustrated in The World of José Mijares,
    Marpad Art Gallery, 1992, unnumbered pages.
    Illustrated in the book, José Mijares, Paintings,
    Palette Publications, 1997, page 64.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Six
    , page 71.

    RAÚL MILIÁN<br>
Meditation<br>
(<i>Meditación</i>), 1977<br>
mixed media on heavy paper laid down on board<br>
14 7/8 x 10 7/8 inches<br><br>
<i>Provenance:</i><br>
Collection, Berlin, Germany.<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 68.
    RAÚL MILIÁN
    Meditation
    (Meditación), 1977
    mixed media on heavy paper laid down on board
    14 7/8 x 10 7/8 inches

    Provenance:
    Collection, Berlin, Germany.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 68.

    RAÚL MILIÁN<br>
Impressions<br>
(<i>Impresiones</i>), 1954<br>
mixed media on heavy paper
laid down on board<br>
15 x 11 inches<br><br>
<i>Provenance:</i><br>
Private Collection, Montevideo, Uruguay.<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 68.
    RAÚL MILIÁN
    Impressions
    (Impresiones), 1954
    mixed media on heavy paper laid down on board
    15 x 11 inches

    Provenance:
    Private Collection, Montevideo, Uruguay.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 68.

    RAÚL MILIÁN<br>
Vestige<br> (<i>Vestigio</i>), 1960<br> mixed media on heavy paper laid down on board<br> 21 3/8 x 14 5/8 inches<br><br>
<i>Provenance:</i><br> Private Collection, Berlin, Germany.<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 69.
    RAÚL MILIÁN
    Vestige
    (Vestigio), 1960
    mixed media on heavy paper laid down on board
    21 3/8 x 14 5/8 inches

    Provenance:
    Private Collection, Berlin, Germany.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 69.

    RAÚL MILIÁN<br>
Vagueness<br>
(<i>Lo Impreciso</i>), 1960<br>
mixed media on paper<br>
14 1/2 x 10 3/4 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Eight</i>, page 60.
    RAÚL MILIÁN
    Vagueness
    (Lo Impreciso), 1960
    mixed media on paper
    14 1/2 x 10 3/4 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Eight
    , page 60.

    GINA PELLÓN<br> Golden Fleece<br> (<i>Lana de Oro</i>), 2013<br> mixed media on canvas<br> 45 1/2 x 34 1/2 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br>
Volume Fourteen</i>, page 103.
    GINA PELLÓN
    Golden Fleece
    (Lana de Oro), 2013
    mixed media on canvas
    45 1/2 x 34 1/2 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 103.

    GINA PELLÓN<br>
Going to the Carnival<br>
(<i>Al Carnaval Me Voy</i>), 2014<br>
painted collage on heavy paper laid down on wood<br>
17 3/4 x 19 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br>
Volume Fourteen</i>, page 104.
    GINA PELLÓN
    Going to the Carnival
    (Al Carnaval Me Voy), 2014
    painted collage on heavy paper laid down on wood
    17 3/4 x 19 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 104.

    GINA PELLÓN <br>
El Sombrero<br>
(<i>The Hat</i>), 2008<br>
mixed media on canvas<br>
32 x 25 1/2 inches<br><br>
This painting was exhibited in
<i>Gina Pellón, Still Going Strong</i>,<br>
Cernuda Arte, Coral Gables, Florida,
November-December 2010,<br> and illustrated
in the exhibition catalog, page 23.<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br>
Volume Thirteen</i>, page 105.
    GINA PELLÓN
    El Sombrero
    (The Hat), 2008
    mixed media on canvas
    32 x 25 1/2 inches

    This painting was exhibited in Gina Pellón, Still Going Strong,
    Cernuda Arte, Coral Gables, Florida, November-December 2010,
    and illustrated in the exhibition catalog, page 23.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Thirteen
    , page 105.

    GINA PELLÓN<br>
Take Me to the Carnival<br>
(<i>Llévame al Carnaval</i>), 2013<br>
mixed media on canvas<br> 28 3/4 x 23 1/2 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br>
Volume Eleven</i>, page 105.
    GINA PELLÓN
    Take Me to the Carnival
    (Llévame al Carnaval), 2013
    mixed media on canvas
    28 3/4 x 23 1/2 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Eleven
    , page 105.

    GINA PELLÓN <br>
Come and Celebrate the Joy<br>
(<i>Ven a Celebrar la Alegría</i>), 2013<br>
painted collage on heavy paper laid down on wood<br>
23 5/8 x 15 3/4 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br>
Volume Fourteen</i>, page 104.
    GINA PELLÓN
    Come and Celebrate the Joy
    (Ven a Celebrar la Alegría), 2013
    painted collage on heavy paper laid down on wood
    23 5/8 x 15 3/4 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 104.

    ROBERTO FABELO<br>
Suyu and the Beans<br>
(<i>Suyu y los Frijoles</i>), 2016<br>
oil on canvas<br>
93 x 79 inches<br><br>

Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br>
Volume Fourteen</i>, page 107.
    ROBERTO FABELO
    Suyu and the Beans
    (Suyu y los Frijoles), 2016
    oil on canvas
    93 x 79 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 107.

    ROBERTO FABELO <br>
Daydreaming <br>
(<i>Ensoñación</i>), 2016<br>
mixed media on heavy paper laid down on board<br>
39 ⅜ x 27 ½ inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 108.
    ROBERTO FABELO
    Daydreaming
    (Ensoñación), 2016
    mixed media on heavy paper laid down on board
    39 ⅜ x 27 ½ inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 108.

    ROBERTO FABELO<br> 
Grand Bird<br> 
(<i>Gran Pájaro</i>), 2014<br> acrylic on silk<br> 93 x 48 1/2 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS, <br>
Volume Thirteen</i>, page 114.
    ROBERTO FABELO
    Grand Bird
    (Gran Pájaro), 2014
    acrylic on silk
    93 x 48 1/2 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Thirteen
    , page 114.

    MANUEL MENDIVE<br>
Face,<br>
(<i>Rostro</i>), 2015,<br>
bronze sculpture, 7 of 7,<br>
25 3/4 x 12 x 5 3/4 inches <br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br>
Volume Fourteen</i>, page 130.
    MANUEL MENDIVE
    Face,
    (Rostro), 2015,
    bronze sculpture, 7 of 7,
    25 3/4 x 12 x 5 3/4 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 130.

    MANUEL MENDIVE<br>
My Energy and I<br>
(<i>Mi Energía y Yo</i>), 2015<br>
bronze sculpture, 7 of 7<br>
30 x 13 1/2 x 9 1/4 inches<br><br>
Illustrated in the book, <i>Mendive</i>, 2015,
Collage Ediciones,<br> Havana, Cuba, page 221.<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br>
Volume Fourteen</i>, page 130.
    MANUEL MENDIVE
    My Energy and I
    (Mi Energía y Yo), 2015
    bronze sculpture, 7 of 7
    30 x 13 1/2 x 9 1/4 inches

    Illustrated in the book, Mendive, 2015, Collage Ediciones,
    Havana, Cuba, page 221.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 130.

    MANUEL MENDIVE<br>
Dreams<br>
(<i>Sueños</i>), 1996<br>
mixed media on heavy paper laid down on board<br> 
22 1/2 x 29 7/8 inches<br><br>
<i>Provenance:</i><br>
The Tanyu-Levent Collection, Istanbul, Turkey.<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 88.
    MANUEL MENDIVE
    Dreams
    (Sueños), 1996
    mixed media on heavy paper laid down on board
    22 1/2 x 29 7/8 inches

    Provenance:
    The Tanyu-Levent Collection, Istanbul, Turkey.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 88.

    MANUEL MENDIVE<br>
Figures<br> (<i>Figuras</i>), 1998<br>
mixed media on canvas<br> 15 1/4 x 20 inches<br><br><i>Provenance:</i><br>
The Tanyu-Levent Collection, Istanbul, Turkey.<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 88.
    MANUEL MENDIVE
    Figures
    (Figuras), 1998
    mixed media on canvas
    15 1/4 x 20 inches

    Provenance:
    The Tanyu-Levent Collection, Istanbul, Turkey.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 88.

    ALFREDO SOSABRAVO<br> Dressed for a Party<br> (<i>Vestida de Fiesta</i>), 2016<br>
acrylic and collage on canvas<br> 47 1/8 x 47 1/4 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 123.
    ALFREDO SOSABRAVO
    Dressed for a Party
    (Vestida de Fiesta), 2016
    acrylic and collage on canvas
    47 1/8 x 47 1/4 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 123.

    ALFREDO SOSABRAVO<br> The Ship of Memories<br> (<i>La Nave de los Recuerdos</i>), 2014<br>
oil and collage on canvas<br> 39 1/2 x 31 1/2 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 120.
    ALFREDO SOSABRAVO
    The Ship of Memories
    (La Nave de los Recuerdos), 2014
    oil and collage on canvas
    39 1/2 x 31 1/2 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 120.

    JUAN ROBERTO DIAGO<br>
Keloid<br> (<i>Queloide</i>), 2016<br> mixed media on canvas<br> 78 3/4 x 59 1/4 inches<br><br><b><FONT COLOR=red>SOLD</font></b><br><br>
Illustrated in <i>Diago: The Pasts of This Afro Cuban Present</i>, Harvard University Press,<br> Cambridge, Massachusetts, 2017, page 152.<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 151.
    JUAN ROBERTO DIAGO
    Keloid
    (Queloide), 2016
    mixed media on canvas
    78 3/4 x 59 1/4 inches

    SOLD

    Illustrated in Diago: The Pasts of This Afro Cuban Present, Harvard University Press,
    Cambridge, Massachusetts, 2017, page 152.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 151.

    JUAN ROBERTO DIAGO<br>
Waiting Within My Silence<br>
(<i>Esperando Desde Mi Silencio</i>), 2016<br>
mixed media and collage on canvas<br>
59 x 47 inches<br>
    JUAN ROBERTO DIAGO
    Waiting Within My Silence
    (Esperando Desde Mi Silencio), 2016
    mixed media and collage on canvas
    59 x 47 inches

    JUAN ROBERTO DIAGO<br>
I Live Within You <br>
(<i>Yo Vivo en Ti</i>), 2016<br>
mixed media and collage on canvas<br>
78 3/4 x 59 inches
    JUAN ROBERTO DIAGO
    I Live Within You
    (Yo Vivo en Ti), 2016
    mixed media and collage on canvas
    78 3/4 x 59 inches

    MIGUEL FLORIDO<br>
You in My Garden<br>
(<i>Tú en Mi Jardín</i>), 2016<br>
oil on canvas<br>
56 1/4 x 55 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 140.
    MIGUEL FLORIDO
    You in My Garden
    (Tú en Mi Jardín), 2016
    oil on canvas
    56 1/4 x 55 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 140.

    MIGUEL FLORIDO<br>
Love Signals<br>
(<i>Señales de Amor</i>), 2016<br> 
acrylic on canvas<br> 
70 1/2 x 50 3/4 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 144.
    MIGUEL FLORIDO
    Love Signals
    (Señales de Amor), 2016
    acrylic on canvas
    70 1/2 x 50 3/4 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 144.

    MIGUEL FLORIDO<br>
Paying Tribute<br>
(<i>Rindiendo Homenaje</i>), 2014<br>
oil on canvas<br> 14 x 10 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 135.
    MIGUEL FLORIDO
    Paying Tribute
    (Rindiendo Homenaje), 2014
    oil on canvas
    14 x 10 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 135.

    MIGUEL FLORIDO<br>
Love Me Free<br>
(<i>Quiéreme Libre</i>), 2016<br>
mixed media on canvas<br>
49 1/4 x 10 1/4 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 141.
    MIGUEL FLORIDO
    Love Me Free
    (Quiéreme Libre), 2016
    mixed media on canvas
    49 1/4 x 10 1/4 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 141.

    MIGUEL FLORIDO<br>
The Light of Your Peace <br>
(<i>La Luz de Tu Paz</i>), 2016-17<br>
mixed media on canvas<br>
49 x 10 inches
    MIGUEL FLORIDO
    The Light of Your Peace
    (La Luz de Tu Paz), 2016-17
    mixed media on canvas
    49 x 10 inches

    MIGUEL FLORIDO<br>
You Are My Refuge, My Everything<br>
(<i>Eres Mi Refugio, Mi Todo</i>), 2016<br>
oil on canvas<br>
9 ¾ x 13 ¾ inches
    MIGUEL FLORIDO
    You Are My Refuge, My Everything
    (Eres Mi Refugio, Mi Todo), 2016
    oil on canvas
    9 ¾ x 13 ¾ inches

    MIGUEL FLORIDO<br>
Your Tenderness<br>
(<i>Tu Ternura</i>), 2016<br>
oil on canvas<br>
78 ½ x 39 inches
    MIGUEL FLORIDO
    Your Tenderness
    (Tu Ternura), 2016
    oil on canvas
    78 ½ x 39 inches

    JOEL BESMAR<br>
The Other Shore<br>
(<i>La Otra Orilla</i>), 2016<br>
oil on canvas<br>
51 x 55 inches<br>
    JOEL BESMAR
    The Other Shore
    (La Otra Orilla), 2016
    oil on canvas
    51 x 55 inches

    JOEL BESMAR<br>
Nostalgia<br>
(<i>Nostalgia</i>), 2010<br>
graphite on heavy paper laid down on board<br>
30 x 40 inches<br><br>

Exhibited in <i>Joel Besmar, The Endless Library</i>, 2013-2014,
<i>Cernuda</i> Arte, Coral Gables, Florida,<br> and illustrated in the
accompanying exhibition catalog, page 11.<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Nine</i>, page 97.
    JOEL BESMAR
    Nostalgia
    (Nostalgia), 2010
    graphite on heavy paper laid down on board
    30 x 40 inches

    Exhibited in Joel Besmar, The Endless Library, 2013-2014, Cernuda Arte, Coral Gables, Florida,
    and illustrated in the accompanying exhibition catalog, page 11.

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Nine
    , page 97.

    JOEL BESMAR<br> 
The Prison of Clay<br>
(<i>La Prisión de Arcilla</i>), 2016<br>
oil on canvas<br>
78 ⅝ x 57 ⅝ inches<br><br>

Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 156.
    JOEL BESMAR
    The Prison of Clay
    (La Prisión de Arcilla), 2016
    oil on canvas
    78 ⅝ x 57 ⅝ inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 156.

    JOEL BESMAR<br>
The Ideal Library<br>
(<i>La Biblioteca Ideal</i>) 2009<br>
sanguine on heavy paper laid down on board<br>
27 1/2 x 39 3/4 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Eight</i>, page 129.
    JOEL BESMAR
    The Ideal Library
    (La Biblioteca Ideal) 2009
    sanguine on heavy paper laid down on board
    27 1/2 x 39 3/4 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Eight
    , page 129.

    VICENTE HERNÁNDEZ<br> The Trip of Dreams and Nightmares<br> (<i>El Viaje de los Sueños y las Pesadillas</i>), 2016<br>  mixed media on canvas <br> 51 X 86 1/4 inches
    VICENTE HERNÁNDEZ
    The Trip of Dreams and Nightmares
    (El Viaje de los Sueños y las Pesadillas), 2016
    mixed media on canvas
    51 X 86 1/4 inches

    VICENTE HERNÁNDEZ<br>
Unanimous Vote by Show of Hands<br>
(<i>Voto Unánime con las Manos</i>), 2016<br>
mixed media on canvas<br>
75 x 9 1/2 inches
    VICENTE HERNÁNDEZ
    Unanimous Vote by Show of Hands
    (Voto Unánime con las Manos), 2016
    mixed media on canvas
    75 x 9 1/2 inches

    DAYRON GONZÁLEZ<br>
Freedom is An Idea<br>
(<i>La Libertad es Una Idea</i>), 2015<br>
oil on canvas<br>
80 1/2 x 71 3/4 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 165.
    DAYRON GONZÁLEZ
    Freedom is An Idea
    (La Libertad es Una Idea), 2015
    oil on canvas
    80 1/2 x 71 3/4 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 165.

    DAYRON GONZÁLEZ<br>
At the Other Side of the Mountain<br> 
(<i>Al Otro Lado de la Montaña</i>), 2016<br>
oil on canvas<br>
72 x 64 inches<br>
    DAYRON GONZÁLEZ
    At the Other Side of the Mountain
    (Al Otro Lado de la Montaña), 2016
    oil on canvas
    72 x 64 inches

    GIOSVANY ECHEVARRÍA<br>
In the Calm of the Early Morning<br>
(<i>En la Calma de la Temprana Mañana</i>), 2013<br>
oil on canvas<br>
23 1/2 x 31 1/2 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Thirteen</i>, page 52.
    GIOSVANY ECHEVARRÍA
    In the Calm of the Early Morning
    (En la Calma de la Temprana Mañana), 2013
    oil on canvas
    23 1/2 x 31 1/2 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Thirteen
    , page 52.

    GIOSVANY ECHEVARRÍA<br>
Newness at Daybreak<br>
(<i>Despunta el Nuevo Día</i>), 2013<br>
oil on canvas<br>
10 1/4 x 14 inches<br><br>

Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Twelve</i>, page 116.
    GIOSVANY ECHEVARRÍA
    Newness at Daybreak
    (Despunta el Nuevo Día), 2013
    oil on canvas
    10 1/4 x 14 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Twelve
    , page 116.

    GIOSVANY ECHEVARRÍA<br>
Morning Reflections<br>
(<i>Reflejos de la Mañana</i>), 2016<br>
oil on canvas<br>
35 5/8 x 47 1/8 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 158.
    GIOSVANY ECHEVARRÍA
    Morning Reflections
    (Reflejos de la Mañana), 2016
    oil on canvas
    35 5/8 x 47 1/8 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 158.

    GIOSVANY ECHEVARRÍA<br>
A Lingering Sunset<br>
(<i>Un Largo Atardecer</i>), 2015<br>
oil on canvas<br>
9 3/4 x 13 3/4 inches<br>

Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Thirteen</i>, page 152.
    GIOSVANY ECHEVARRÍA
    A Lingering Sunset
    (Un Largo Atardecer), 2015
    oil on canvas
    9 3/4 x 13 3/4 inches
    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Thirteen
    , page 152.

    GIOSVANY ECHEVARRÍA<br>
A Sunlit Day <br>
(<i>Un Día Soleado</i>), 2016<br>
oil on canvas<br>
13 3/4  x 9 3/4 inches
    GIOSVANY ECHEVARRÍA
    A Sunlit Day
    (Un Día Soleado), 2016
    oil on canvas
    13 3/4 x 9 3/4 inches

    IRINA ELÉN GONZÁLEZ<br>
After the Rain<br>
(<i>Después de la Lluvia</i>), 2016<br>
acrylic on canvas<br>
29 1/2 x 23 1/2 inches
    IRINA ELÉN GONZÁLEZ
    After the Rain
    (Después de la Lluvia), 2016
    acrylic on canvas
    29 1/2 x 23 1/2 inches

    IRINA ELÉN GONZÁLEZ<br>
Tropical Maternity<br>
(<i>Maternidad Tropical</i>), 2016<br>
acrylic on canvas<br>
39 3/8 x 31 3/8 inches<br><br>
Illustrated in <i>IMPORTANT CUBAN ARTWORKS,<br> Volume Fourteen</i>, page 140.
    IRINA ELÉN GONZÁLEZ
    Tropical Maternity
    (Maternidad Tropical), 2016
    acrylic on canvas
    39 3/8 x 31 3/8 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Fourteen
    , page 140.

    REYNIER FERRER <br>
The Lost City No. 1<br>
(<i>La Ciudad Perdida No. 1</i>), 2012<br>
mixed media on canvas<br>
20 x 19 1/2 inches
    REYNIER FERRER
    The Lost City No. 1
    (La Ciudad Perdida No. 1), 2012
    mixed media on canvas
    20 x 19 1/2 inches

    REYNIER FERRER<br>
The Lost City No. 2<br>
(<i>La Ciudad Perdida No. 2</i>), 2012<br>
mixed media on canvas<br>
19 1/2 x 19 1/2 inches<br><br>
Illustrated in IMPORTANT CUBAN ARTWORKS,<br>
Volume Eleven, page 135.
    REYNIER FERRER
    The Lost City No. 2
    (La Ciudad Perdida No. 2), 2012
    mixed media on canvas
    19 1/2 x 19 1/2 inches

    Illustrated in IMPORTANT CUBAN ARTWORKS,
    Volume Eleven, page 135.

    REYNIER FERRER<br>
Between Shadow and Light, from the series: The Whole Island <br>
(<i>Entre La Sombra y La Luz, de la serie: La Isla Entera</i>), 2016<br>
mixed media on canvas<br>
55 x 85 inches
    REYNIER FERRER
    Between Shadow and Light, from the series: The Whole Island
    (Entre La Sombra y La Luz, de la serie: La Isla Entera), 2016
    mixed media on canvas
    55 x 85 inches

     
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